W.H.A.T. presents ‘Arsenic and Old Lace’
By Jennifer Vazquez
WEST HUDSON -
The West Hudson Arts and Theater Company is busy at it again! This time, W.H.A.T. is preparing for its first-ever dinner theater performance of “Arsenic and Old Lace” set to take place on Nov. 16 and 17.
‘“Arsenic and Old Lace” is a screwball, farcical black comedy that has seen success in both stage and the big screen. In fact, the 1940s movie adaptation starred Cary Grant in the role of Mortimer Brewster.
The story centers on the Mortimer Brewster who goes back home to visit the family who raised him –his two (now) elderly aunts Abby and Martha Brewster. However, Mortimer soon finds out that his sweet, dear aunts are murdering lonely bachelor’s by offering them wine laced with arsenic as a means of escaping their lonely existence. Though the plot seems rather morbid it is infused with hilarity. Especially when it comes to the antics of Mortimer’s brother, Teddy Brewster, who firmly believes he is Theodore Roosevelt and his other brother Jonathan Brewster (who is also visiting) and has undergone plastic surgery as a means of covering up his murderous ways.
W.H.A.T.’s Artistic Director Joe Ferreiro, who is also set to appear in the theater company’s production of “Arsenic and Old Lace,” and Sue Mandzik Davis, the production’s director, are excited for opening night, despite the fact that rehearsals have been derailed on numerous occasions due to the inclement whether the northeast has been experiencing these past few weeks.
“Rehearsals have been a challenge because of the weather,” Davis said.
Ferreiro echoed Davis’ statement, adding:
“We’ve lost a whole week because of Sandy and another day because of the snow storm.”
Nevertheless, the entire cast and crew are committed to putting on a great show.
“We have the best people,” Davis said proudly. “They really love what they do and are working hard for the play to come together in time for opening night.”
While everyone is excited about this play, “Arsenic and Old Lace” was not the initial production that was planned.
“We were actually going to do ‘Steel Magnolias,’” Davis explained. “We had everything ready for auditions but the publishing company pulled the rights.”
When this took place, the W.H.A.T. committee had to go back to square one –choose a play to perform. That’s when “Arsenic and Old Lace” was given the green light.
Though every one who is involved in the production is quite excited for the performances that are fast approaching, there is a bit of anxious anticipation regarding the dinner theater performance on Saturday.
The dinner theater performance, which will take place at 7:30 p.m. on Saturday, is a joint fundraiser produced in conjunction with the Arlington Junior Woman’s Club.
“I hosted a murder mystery dinner the (AJWC) held,” Ferreiro said, explaining how the idea of having a dinner performance came about. “That (dinner) went so successfully that we thought we could incorporate that concept into one of our shows.”
The dinner will take place starting at 6 p.m., right before Saturday’s evening performance. Dinner will be catered and take place at the cafeteria located in the W.H.A.T. premises. The cafeteria will be formally decorated to create a fantastic ambiance to all who are partaking in this pre-show feast. Dessert will be served right after Act 1 -during intermission, according to Davis.
W.H.A.T. was conceived as a joint effort between many individuals and surrounding towns. The purpose behind it is to be a cultural resource that will enrich and invigorate the West Hudson community as a whole while embracing, educating and entertaining people of all ages, cultures and abilities,” according to their official website.
Those who form part of this organization, including the chairs and actors, are dedicated to the arts –setting aside time from their busy schedules to rehearse and contribute to W.H.A.T.
This is the theater’s company second season. Though, still a young organization, it is showing much promise and has been received and welcomed by the surrounding communities. They are now housed at 131 Midland Ave. General admission for nondinner theater performances is $12. Senior (65 and older) and student (with valid I.D.) tickets are $10.
Tickets for the dinner theater performance are $40. However, show-only tickets at the general admission prices are available for the Saturday evening performance as well.
For more information on “Arsenic and Old Lace,” W.H.A.T. or to purchase tickets visit www.whatco.org or call 201-467-8624. Tickets (except for the dinner theater performance) can also be purchased at the door half an hour prior to curtain but you run the risk of the show being sold-out by then!
By Jennifer Vazquez
(Reprinted from last week’s storm edition)
Sabor Latin Bistro, located at 8809 River Road, is a fantastic little gem right across the river from New York City. Though New York is known, among other things, for its abundance of great cuisine, you don’t have to travel across the Hudson to enjoy a great experience.
I’ve been to Sabor a couple of times with close friends who live in the area. When you first start walking towards the entrance you are met by French doors wrapped around the first floor. A number of exotic-looking plants and trees greet you as you make your way into, what can only be referred to as a “Latin golden wonder” since the restaurant stands apart from the condos and other buildings in the area by being painted a remarkable, eyecatching yellow –reminiscent of the tropical architectural aura that one tends to associate with the Caribbean.
Once you finally make your way through the wooden doors you are engulfed in a sea of deep red courtesy of the captivating color that makes up the wall paint of the first floor‘s dining room. Paintings and mirrors adorn the walls. Flowers and candles infiltrate the room. The seating is simple yet complimentary. The lighting is set to a dim, gentle glow. All the elements that make up an inviting and romantic setting is wonderfully accomplished at Sabor. Not only that, but all these elements perfectly allude to another setting, in other states…far in the South!
I remember walking in for the first time and immediately being reminded of all the images I’ve seen of the New Orleanian and South Beach cultures.
While I’ve visited this establishment on a few occasions, it was my first time meeting and speaking with the owner and former actor, Fernando Lopez, for this exclusive Observer interview. During our sit-down, Lopez touched upon the idea of having the look of his place resemble the tropical, Latin vibe one experiences in South Beach.
“I’ve been told it is like bringing South Beach to New Jersey,” he said. “This is great but what we really wanted to do was provide a fun, Latin infused setting.”
Lopez who opened the restaurant in 2001 with his wife Deborah and brother, Oscar Tolido, likes to give credit where credit is due when it comes to the mesmerizing décor that makes up Sabor.
“It was all my wife,” he said amidst laughter. “(The appearance) is all her idea. All her doing. I had no say.”
Though Lopez had a 15- year career as an actor, he is familiar with the restaurant business. He started waiting tables in 1985 for various establishments and became aware of the ins and outs of the restaurant realm –though he points out, “nothing really prepares you for when you open up your own restaurant.”
Yes. The visual elements are there but, most importantly, is the food quality present? The answer is simple: yes.
Lopez explained that, despite the great variety on its menu, Sabor is associated with certain signature dishes, in particular.
“We really are known for our skirt steak,” he said. “Our paella is really popular too… it’s not your typical Spanishstyle paella. We add our own touches to make it even more Latin.”
More Latin? Lopez explained that his restaurant and the chefs that work for Sabor, like to incorporate different elements in different dishes that are not necessarily found in that dish traditionally. In other words, their dishes are a mixture of many Latin influences from many Latin nations. Though he is Puerto Rican and his wife is Cuban, and therefore you will find many dishes that trace back to both their cultural roots, Sabor also provides an eclectic array of dishes from different nations, including Peru and Spain.
I had some avocado served with plantain chips as an appetizer –which was delicious! –followed by the most unique version of camarones al ajillo that I’ve ever had. Camarones al ajillo is shrimp in garlic sauce….typically! A simple and delicious dish. But at Sabor, I distinctly remember that the dish also included goat cheese and some sofrito. This strange mixture, for one reason or another, blended incredibly well, producing a fantastic dish!
For those who are wondering, Sabor also has a full bar, with a great selection of specialty drinks and wine. Therefore I implore you, one must try their sangria!
With all their great offerings –both the ambiance setting and the great food they serve –it is easy to see how Sabor is so successful, even to the amazement of Lopez.
“(Sabor) has surpassed my expectations of what I thought it could be…way beyond!” Lopez excitedly said. “If it does what it’s been doing for the past years, we will be –I will be –more than happy. We have great costumers. We’ve also have gotten great reviews, including Zagat!”
Sabor’s success is now manifesting in an expansion, which, Lopez explained, will entail extending the building to an adjacent empty lot. This development will prove fruitful when Sabor hosts its annual events, including its clambake in March and a pig roast. The latter is a fundraising event designed to have proceeds go to “kids in the North Bergen area,” according to Lopez.
“We’ve done (the fundraiser) the past three years,” he said. “Proceeds generally go towards maybe computers, scholarships, whatever is needed that particular year.”
The small, intimate and romantic setting that Sabor provides is a great compliment to the superb dishes they have mastered throughout their years in business and through the great eclecticism that is the beautiful, wide-ranging Latin culture.
If you would like more information on Sabor Latin Bistro, or to make reservations (which Lopez made an effort to point out as essential, especially for the weekends when they are at high capacity) call 201-943-6366 or visit www.saborlatinbistro.com.
By Jennifer Vazquez
You don’t have to be an actor or director to know that the few weeks leading up to a major production is “crunch” time –a critical period where rehearsals are scrutinized and all final elements of the performances are analyzed and perfected. This takes place in order to make sure that, when the curtains open on the first day of the showcase, all fundamentals that compose a successful stage act –whether it be the acting, costumes, lighting, and props –work together without a glitch.
Anyone stepping into the West Hudson Arts and Theater headquarters on Midland Avenue these past couple of weeks will witness just this. Their crunch time for the well-known ‘War of the Worlds’ radio play that W.H.A.T. will be performing the last weekend of October.
The story centers around the infamous and highly recognized radio play by Orsen Welles–however this is not necessarily a play surrounding the book. Instead it is a complete reenactment of the radio broadcast that transpired in the late 1930s, leading those who listened to the broadcast to assume the scenarios being described were actually taking place since the play was being broadcast as news bulletins, thus causing panic. Since this is a production reflecting the radiocast, all actors will be playing radio personnel reading the script of the radio play –just as the original radio crew did many decades ago. To add to the authenticity of the play W.H.A.T. founding member and director of this production, Gerald Ficeto, pointed out a fun element that will form part of the artistic recreation.
“The New Jersey Antique Radio Club is going to provide us with era radios which we are going to hook up so they can be the sound system,” he explained.
This will undoubtedly bring a sense of authenticity to the production, allowing the audience to hear the broadcast, as it would have sounded when it originally aired.
W.H.A.T. was conceived as a joint effort between Ficeto and the town of Kearny. The purpose behind it is to be a cultural resource that will enrich and invigorate the West Hudson community as a whole while embracing, educating and entertaining people of all ages, cultures and abilities,” according to their official website.
Those who form part of this organization, including the chairs and actors are dedicated to the arts –setting aside time from their busy schedules to rehearse and contribute to W.H.A.T.
This is the theater’s company second season. Though, still a young organization, it is showing much promise and has been received and welcomed by the surrounding communities. They are now housed at 131 Midland Ave.
“People in the community knew that I was involved in theater and would come up to me asking me if there was something I could do (theaterwise),” Ficeto explained.
He took it upon himself to organize, as the first production, a radio play –allowing the actors participating not have to memorize the script since they would be reading it, just like actors did decades ago on the radio. The radio play was organized as a fundraiser. The success and positive reviews and attitude from the community proved exceptional. So much so that W.H.A.T. puts on numerous productions a season.
“We put on about three special events and four main stage productions,” Ficeto explained.
According to Ficeto, when auditions are held, many people turn up which leads to an eclectic group of individuals who many might not expect to be interested in acting. Those that received a part in this particular production are no exception. The actors range, among many other professions, from a teacher, to an attorney, to a funeral director. (Even some members of The Observer have taken center stage in the past!)
Ficeto stresses that even if those that audition do not get a part, since there are only a certain number of roles to go around and many individuals who audition, W.H.A.T. is always looking for those who can help in the wardrobe, props, lighting and other departments. Even volunteers who want to usher during production nights are welcomed as well.
“The great thing about this organization is that you don’t really need a resume,” Franklin School seventh grade science teacher and fellow actor Timothy Firth said. “I, for one, had no acting experience what-so-ever. The closest I ever came was in college when I was a radio disc jockey.”
However, participants note –not only the fun aspects –but the importance of having a theater company within the community.
“The importance of this organization is great, especially now-a-days,” Firth said. “People seem so busy and so bored with everything that the arts are under appreciated. It’s a wonderful way for the community to get involved whether it be as an actor or an audience member. It allows them to experience something new.” ‘
War of the Worlds’ will take place on Friday and Saturday, October 26 and 27 at 7:30 p.m. at W.H.A.T.’s Midland Avenue headquarters. Tickets are $20. Funds from tickets sold to the performances and refreshments sold during the performances go back to the organization in order to support the art-driven work that it does, including providing a theater camp for the communities’ youth.
If you would like more information on W.H.A.T. or to purchase tickets to this production, please visit www.whatco.org or call 201- 467-8624. Tickets will also be available at the door but you might run the risk of the show being sold out by then!
So you say you want to audition for a show? ages, occupations and walks www. org, here in The emotion. Perhaps you recently had dinner with someone. It went well, but as you are leaving you realize you had some food stuck in your teeth that you know must have been noticed. Embarrassed! Using a real life experience to recall an emotion makes it easier for you to channel that emotion and, therefore, easier to feel and act out those emotions on stage. Be sure to imagine the incident fully. Thinking of it isn’t the same as really imagining it. Use your senses to actually see, hear, smell, and feel everything you can about the event. Above all, at an audition or if you already have the part, confidence is the key! An actor needs to leisurely walk into the audition room or rehearsal without any worry, make strong choices and “know” that you will do well. Directors will sense that confidence. Know your show, sense your character’s motivation and audition with confidence! See You Down in Front! By Joe Ferriero Artistic Director, West Hudson Arts and Theater Company Audition with Confi dence! Fantastic! People of all of life audition for community theater productions each year so why not you? W.H.A.T. posts audition notices in lots of places: on line, on its website at whatco.org Observer. If you happen to get the urge to audition, here are some tips to get you ready.
It sounds obvious, but be sure to read the play!
Then try and decide in one single sentence what it is the goal of the character for whom you are auditioning; what is it that they want … It may sound cliché’, but what is their motivation? Use this knowledge to explain every action the character takes.
It’s also important to identify a main emotion your character feels at the start of a scene you might be asked to read for an audition. Let’s say, for example, it’s “embarrassment.” Next, try to think of a time in your life when you felt that emotion. Perhaps you recently had dinner with someone. It went well, but as you are leaving you realize you had some food stuck in your teeth that you know must have been noticed.
Embarrassed! Using a real life experience to recall an emotion makes it easier for you to channel that emotion and, therefore, easier to feel and act out those emotions on stage. Be sure to imagine the incident fully. Thinking of it isn’t the same as really imagining it. Use your senses to actually see, hear, smell, and feel everything you can about the event.
Above all, at an audition or if you already have the part, confidence is the key! An actor needs to leisurely walk into the audition room or rehearsal without any worry, make strong choices and “know” that you will do well. Directors will sense that confidence. Know your show, sense your character’s motivation and audition with confidence!
See You Down in Front!
By Jennifer Vazquez
For many, the month of October signifies autumn for others baseball postseason. And, yet, for many, it’s the time of year when they can indulge in the macabre, frightful, unexplained and mysterious. For these month-long Halloween enthusiasts The Observer has compiled a list of must-see haunted houses!
Since we are fortunate enough to be located in the tri-state area, there are many opportunities and locations to indulge in the frightfully fun. There are many locations in New York City, as well as in the state of New York. There are countless locations in Pennsylvania, as well. Even the great state of New Jersey has many haunted houses that are so detailed and awe-striking they seem right out of a movie.
Right here in Bergen County there are magnificent haunted houses including one in Wood Ridge. The Haunted Hill House, located at Bianchi House Park, 111 First St., will take place on Oct. 26 and 27 from 7 to 9 p.m. and on Oct. 28 from 6 to 8 p.m. According to it’s official website, it is northern New Jersey’s biggest charity haunted house and performance.This haunted house is a family friendly event that is back by popular demand! The Halloween performance and walk-thru is also affordable at $5 per person. Not only will you surely have fun taking part in this local haunted house but proceeds will “benefit the Wood- Ridge Historical Society’s continued mission to preserve local artifacts and provide educational opportunities to the community,” according to the borough’s official website. For more information on this local frightful delight visit www.iwontbeafraid.com.
Night-mares Haunted Attraction is another local frightful gem. It has a series of different nightmares you can easily find yourself in. For example, the Brighton Asylum is an attraction with a storyline of a medical facility that performed grotesque and cruel experiments, until one day the patients overtook it. The government shut down the facility after investigating staff disappearances in 1952. Though completely fictitious, it sounds scary, right? This attraction is located at 2 Brighton Ave. in Passaic – exit 154 off the Garden State Parkway, located right on the Clifton border.
The Brighton Asylum also holds The Horror Museum where visitors will come face-to-face with props and costumes from well-known scary movies such as Scream 4, Texas Chainsaw Massacre and Resident Evil, among many others. All the props and costumes come directly from the movie studios, according to their official website.
Another attraction Nightmares Haunted Attraction boasts of is Zombie Apocalypse: Doomsday 2012. This hayride experience is located at Depiero’s Country Farm 300 Grand Ave. in Montvale. The story line behind this haunted attraction is a zombie apocalypse. Visitors will arrive and be scanned for “viruses.” Those found to be infected will be “quarantined,” all others will be allowed to board the many wagons available where they will be transported to a “safer” location, while those infected jump out! However, after the hayride ends you must walk the rest of the journey on foot!
For more information on any, or all, of the attractions and activities that take place at Night-mares Haunted Attraction, visit www.nightmares.com.
If you would like to venture off and have a frightful adventure in another state, look no farther than Pennsylvania. One of the most famous haunted houses in the country is actually a haunted jail. Eastern State Penitentiary is now closed, however, during its heyday it housed some of the most notorious and merciless criminals in this country, including Willie Sutton and Al Capone. During the day ESP offers prison tours, but at night it turns into one of the most beloved and highly rated haunted houses known as “Terror Behind the Walls.” This haunted house is so popular that many seek tickets weeks in advance as the lines trail on and on the night the haunted house takes place. For tickets and information on both daytime tours or the nighttime haunted house, visit www.easternstate.org.
There are many more haunted houses, ghost tours, hayrides and other frightful attractions in the surrounding area. These are just a starting point –a few great options to really get you into the Halloween spirit. Happy hauntings!
By Jennifer Vazquez
There are many who are theater enthusiasts — people who indulge in the world of plays and musicals. However, there are also those who are the complete those who say the theater is an acquired taste. Because of these two, entirely different groups, it is hard for one to find a production that both can actually enjoy. Nevertheless, “Fuerzabruta” might just be the production that satisfies both lovers and “naysayers” of the theater world.
First and foremost, it is of importance to point out that Fuerzabruta — which comes from Argentina — is not your typical New York theatrical production. Not by a long shot. The experience is so unique, so out of the norm that it truly is captivating, surreal and an overload on all your senses.
When one walks into The Daryl Roth Theater — a wellknown off-Broadway theater located across the street from Union Square — to watch the performance you might be expecting to sit down in a chair and witness a plot unfold on a stage. What actually awaits you is a completely different scenario! Instead you will find yourself standing in the middle of an empty room, alongside other spectators, and engaging in the production. That’s right — when you go to see “Fuerzabruta,” you are not only a spectator but part of the story that unfolds before your very eyes!
The production starts off with a man, dressed in a white suit, running on a treadmill in the middle of the crowd. The DJ that overlooks the room plays. With each change of scene the audience is guided to move to certain areas of the room by members of the production staff.
With each changing scene your senses are completely and utterly enthralled with what is happening around you. There is a scene with two women playing tag. Except this tag is actually taking place while the women are running around the walls! There is another scene where rain and wind takes place in the middle of the room. The booming wind and ever present falling water, though unannounced, was completely welcomed by the entire audience.
Yet, there is another scene where dancers take the stage — a stage that is moved into the room. These dancers shatter the “roof” (which is made out of paper) of the stage and throw the remnants — which end up being paper, confetti and foam — into the crowd. They, later, bring their performance into the crowd, picking audience members to join them on stage in a dance.
However, of all the acrobatics and different scenes that make up “Fuerzabruta” the most popular seemed to be the pool scene –a scene where a see-through pool hangs above the crowd while a group of women perform and glide in it. The pool slowly starts descending to the point that the entire crowd can reach and touch it as the women in it interact with the audience.
At the end of the production “rain” comes down once again. While the DJ continues to play, the actors come out and encourage the audience to dance. This end prompts the room to turn into a mini dance club.
For a production that basis itself on visual, audio and tactile elements, with no dialogue whatsoever, one comes out of the production entirely fascinated, awestruck and mesmerized.
“Fuerzabruta” is a production that leaves the meaning of the performance completely up to the spectators. It is by far an exceptional sensory overload for both theater and non-theater lovers. A unique type of production. An avantgarde theatrical masterpiece that is sure to resonate with people, both young and old.
Because “Fuerzabruta” is slated to close Nov. 11, one must act fast to purchase tickets!
If you would like more information on “Fuerzabruta,” or to purchase tickets, visit www.fuerzabrutanyc.com.
By Jennifer Vazquez
There are certain venues where not all artists get to perform. For those that do, the feat symbolizes a certain level of success in their careers.
PNC Bank Arts Center in Holmdel is one such venue and New Jersey’s The Cameos are one of the fortunate musical groups who performed on this renowned stage.
“We performed at an event called Senior Concert Series,” The Cameos vocalist John Basilone said. “It’s always a great experience for us to perform (at PNC).”
Basilone explained the level of importance it is for The Cameos to perform on the PNC stage.
“Groups rarely get asked to perform at this event twice in a row,” he said. “This is our fourth time!”
The fact that the group does not have a current hit album makes its fourth appearance at PNC an achievement rarely seen, according to Basilone. There was an expectation of roughly 10,000 concert goers at the Sept. 18 event but due to the weather that particular day, only about 3,000 showed up, recalled Basilone. “To us this was still a huge outcome,” he said. “Because of the weather, we didn’t have as much people attend but this number still blew us away.”
For those who are not familiar with PNC Bank Arts Center, the venue is an open-air amphitheater with thousands of seats underneath a roof as well as a huge lawn in the open which many concert goers choose as their “seats.” Due to the fact that the lawn surrounding the amphitheater are not covered by a roof, those that purchase lawn tickets are vulnerable to the weather during inclement conditions.
Not only did The Cameos perform last month at the theater, they were slated to return to PNC for a fundraiser to support the New Jersey Vietnam Veterans Memorial — an event the group was excited to perform at.
“We are all honored that we can give our time to perform for this cause,” Basilone said.
While The Cameos date back to the 1950s, the latest group alignment has been together for roughly seven years. Drummer Paul Stuart became the head of the group when he took over for Roger DelRusso in 2005 when Del- Russo passed.
The success of The Cameos is apparent when one navigates through their events calendar on their official website. Every single weekend is practically booked — a feat feat all in itself since the majority of the members of the group work full-time at other places. The fact that they love the band and are so dedicated to their music is clearly seen, according to Basilone, especially when their busy schedule becomes even busier.
“We are more than fortunate (with booking dates),” Basilone commented humbly. “But, you should see our summer calendar. We are so busy at times, that we perform five days out of the week…there are days when (members) come straight from work to perform and we still put on a show for our great audience.”
Basilone The Cameos to be “lucky to have such amazing” supporters.
“We always make a point to let our wonderful audience that we are here because of them,” he said. “They are an important part of our band. They make this all possible.”
If you would like more information about The Cameos or would like to purchase their albums, visit their official website www.thecameos.com.
By Jennifer Vazquez
The streets of the Big Apple were bustling with Broadway fans this past Sunday, Sept. 23, as people participated in the 26th annual Broadway Flea Market and Grand Auction.
Those not familiar with this one-of-a-kind, yearly, exciting and fun event are missing out…big time!
The day was marked by thousands of Broadway and theater fans roaming in Times Square, Shubert Alley and along West 44th Street searching for authentic, unique and rare keepsakes. Everything from lost cast recordings to signed posters and Playbills, rare costume and set design sketches to props –in short you have the wonderful and great possibility of coming across anything and everything that has ever formed part of a theatrical performance.
This high-spirited and lively event also hosted games, giving everyone the opportunity to win Broadway show tickets, free dinners and various other mementos.
The main event of the festivities, however, is the grand auction. This year, with no exception, it proved to be a grand success! A clock that adorned the stage at this year’s Tony Awards –the equivalent of the Academy Awards for those in the Broadway community –signed by Broadway’s elite was one of the auctioned items. The chance to go behind the scenes to the set of television shows like Smash!, NCIS: Los Angeles, Saturday Night Live and Modern Family were also “items” auctioned off. Tickets and VIP nights to Broadway shows –both currently running and future –were auctioned off as well.
One of the biggest surprises, and money grabbers, was the chance to sit in, as a judge, alongside theatrical and acting greats, like James Gandolfini, Nina Arienda, Bebe Neuwirth and Estelle Parsons (just to name a few), as part of the Gypsy of the Year and Easter Bonnet Competitions. This once-in-a-lifetime chance for theater lovers ended up being a neck-toneck auction with two women constantly out-bidding each other. Just when you thought there was no end to the final bid, one of the women decided to bid $7,000! The other woman ceased raising the “bid” bar. However, the auctioneers gave the second participant the chance to match that same bid. She happily jumped at the opportunity. In short, the chance to form part, as a judge, in both these competitions was auctioned off to the two women for the total sum of $14,000!
Not only is the day a guaranteed sensational time but the proceeds from the flea market, auction, games and donations will go to aid a remarkable cause and organization –Broadway Cares/ Equity Fights AIDS. This organization is the nation’s leading industry-based non-profit fundraising and grant making organizations dedicated to AIDS. However, BC/EFA is also a major supporter of various programs at The Actor’s Fund, including The HIV/ AIDS Initiative, the Phyllis Newman Women’s Health Initiative, the Al Hirschfeld Free Clinic and the Dancer’s Resource, among others.
Last year, the event raised, roughly $550,000. However, since its inception 26 years ago, the Broadway Flea Market and Grand Auction netted over $9.1 million!
This year’s day-long event will also prove to be a success as a multitude of people showed up to take in the great and unique Broadway life.
After all…Broadway is where dreams are made!
By Jennifer Vazquez
Vivid colors courtesy of dazzling brush strokes. A one-of-a kind inventive, artistic vision. A take on the abstract. Captivating. These are all ways that one might very well describe the work of Jaszmine Hawkins – an aspiring 25-year-old budding artist from Belleville.
Hawkins possesses all the necessary attributes for a successful career in the field: passion, a surplus of creative ideas, talent and a charismatic spirit. The latter is easily attested by just speaking with her.
Hawkins’ passion for painting was always innate. However, she never had any aspirations to become a bona fide professional artist until she was in high school.
“I had phases throughout my life where I wanted to be an astronaut or I wanted to be a veterinarian,” Hawkins said. “It wasn’t until I sat with my high school guidance counselor and was asked what I wanted to do with my life that I thought, ‘What have I enjoyed constantly throughout the years?’ The answer was art.”
Seeing their child, who had been so enthralled by the idea of becoming a doctor now, suddenly, veering to pursuing an artistic ambition, brought utter shock to Hawkins’ parents.
Even though, she explains, her parents were always relatively supportive of her artistic ambitions, they were, nonetheless, a bit afraid of what the life of an artist might be like. The idea of having their daughter follow in the path of many “starving” artists was not appealing to them.
“Imagine telling your parents that you are going from wanting to be a doctor, pretty much your whole life, to a painter?” she recalls, laughing. “They were just worried. They didn’t want me to be a ‘starving’ artist.”
Her parents’ apprehensions aside, one of Hawkins’ relatives wholeheartedly endorsed her aspirations.
“My aunt has always supported me,” she said. “She would always buy me painting kits and supplies. She really believed in my passion.”
Other role models played an equally influential part in Hawkins’ life and work. Masterminds such as Vincent van Gogh, Salvador Dali and Maurice Braun, among others, all shaped her artistic taste and interest – so much so, that she distinctly remembers the image that captivated her and subsequently provoked her passion for painting.
“I remember the first time I saw (van Gogh’s) ‘Starry Night,’ ” she recalled. “It literally took my breath away. I still love everything about it. The colors, the strokes … everything!”
While Hawkins has no problem speaking in detail of her idols and their work, don’t ask her to describe her own art style – because that topic is all too hard for her to convey.
“Other people can’t categorize (my work) because I can’t categorize it,” Hawkins explained. “I would say it’s a mixture of abstract – at times, surrealism. I’ve done avantgarde. It’s just really expressive work. It’s whatever I am feeling. I do tell stories. I have a story for each (piece). I normally don’t tell people (the story behind the painting) because I want them to have their own story for it.”
Given that “everyday life” is the inspiration to her work, her art is a complete collection of eclectic and innovative visual stimulations. However, there seems to be one particular subject that Hawkins is fond of and might be the signature characteristic of most of her paintings.
“I’m known for doing really exaggerated lips stemming from my mom’s obsession with lips,” Hawkins said. “I mean everything you can imagine putting lips on, she has it.”
Hawkins attended Xavier University in New Orleans with hopes of majoring in the arts. However, this charismatic and independent young woman decided to put her studies on hold and become a professional artist for now, testing her luck in the competitive art world.
After showcasing, selling and being commissioned paintings in the New Orleans area, she decided to return to her native state, New Jersey, and try her luck in the Capital of the World – New York.
When speaking of her goals and dreams she exudes an air of confidence while acknowledging the cutthroat, critical, competitiveness in the art world, especially in New York.
The first goal on her list? Finish her collegiate studies.
Although she stresses the desire to finish her academic degree – this time, at an institution closer to the tri-state area – Hawkins also proudly boasts of her ultimate dream: “I would love to own my own gallery in Brooklyn.”
By sheer talent alone, it seems that Hawkins is easily on her way.