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Category: Entertainment

Running on full throttle

Turbine to bring unconventional energy to Kearny’s Donegal Saloon

 

Photo Courtesy of Turbinemusic.com/ The band Turbine

 

By Anthony J. Machcinski

A turbine is commonly used to create energy. When using that name for a band, one might think the band would come out of the heavy metal, punk, or ska genres. However, the band Turbine is far from those musical formats.

“It kind of sounds like a German death metal band,” said Jeremy Hilliard, guitar player from the band Turbine. “It started out as a humorous thing we thought was kind of funny. As we sat with it, we realized it was more than just that. It had energy to it.”

Turbine origininated in Manhattan in 2004 when Hilliard and harmonica player Ryan Rightmire heard each other play in an unconventional way.

“(Rightmire) and I were next door neighbors in Manhattan and we heard each other playing through the wall,” Hilliard explained. “From there, we just ended up forming a duo and that ended up in Turbine’s first album.”

Soon after forming, the duo realized they would need a rhythm section. After what Hilliard described as an “intense audition process” formed through networking, Turbine became a full, well-oiled machine. The band would go on to debut the new lineup at several national festivals including the famous Bonaroo music festival.

“It was nice to be included in that,” Hilliard said of Bonaroo. “It was one of the greatest gigs to get recognized at.”

What makes Turbine one of the most unique bands hitting the scene is the band’s unique style. With an eclectic group of influences that would make many bands crumble from the sheer variety, Turbine continues to purr.

“(The) style is something that I’m proud of as far as the band is concerned,” Hilliard explained. “We have songs that we play, but it’s the style we play in that’s more important – that separates us. “

Besides their style of play, the style in which they write songs is unique in it’s own right.

“We look from a mix of different themes and places to inspire us,” Hilliard explained. “We also try to look at modern songwriters and lands that write songs in our style.”

The band’s style comes off very similar to that of many jam bands seen at music festivals.

“Our style is a little more improvised,” Hilliard said. “We look to more of improvising at our live shows. It’s a take on the jazz approach and the jam band style.”

This unique style of play showcases itself in many of Turbine’s songs.

“Invited”, a four-minute, bluegrass-infused song off the album Reward, is one of the many songs showcasing the band’s range. With an ever-present harmonica and simple lyrics, the song invites you for a nice relaxing time, transporting the listener to a warm summer’s day down on the river. Even for the greatest bluegrass opponent, Turbine’s great play can be easily appreciated.

Moving away from the bluegrass feel, “Eddy the Sea” brings back more of the jam band style. A soft, rhythmic drum beat accompanies Hilliard’s smooth guitar solos. “Eddy the Sea” is a song that, beyond it’s great studio version, can be expected to be taken to a different level at any live performance with several areas for improvisation.

With a steady group of fans and several albums under their belt, Turbine has slowly worked its way into being one of the best live bands in the area. Despite their success, Hilliard still knows that the band has the opportunity to continue growing.

“Bands are like running from a shark, you got to keep going otherwise you’re dead in the water,” Hilliard explained. “We’ve always managed to grow in one way or another.”

Hilliard continued to show examples of their growth, saying, “If you look at the progression of our records, they keep getting better and better. As long as we are working on our live shows and continue to work on our writing, then the opportunity for growth is there.”

While Turbine’s success cannot be measured by the particular venue that the band plays in, Hilliard just looks at one thing.

“(Its unrealistic to) feel like you’ll sell out Madison Square Garden,” Hiliard explained. “You got to be able to enjoy the little things and enjoy the process. It’s never really over. It’s about growing and playing the music.”

Turbine will come to Kearny when they play Donegal Saloon on May 11. To listen to their music or buy their albums, visit www.turbinemusic.com.

‘Sticks And Stones’ provides inspiration for the bullied

 

By Jeff Bahr 

At its least effective music acts as background sound, a sort of “pink noise” that gets lost behind the grinding din of our conscious thoughts. At its best, it touches us – often in ways that we hadn’t anticipated before listening to it.

“Sticks and Stones”, a new CD released by former Harrison resident Jo-Ann Barton is aimed squarely at the latter. Through the magic of music the singer/ songwriter hopes to inspire the children of gay parents who may be dealing with bullying issues. But in a larger sense, Barton’s songs are intended for any and all who need reassurance that things can and will get better, just so long as they put one foot before the other and keep going.

Twelve years in the making, the CD has finally come to fruition. But the journey wasn’t an easy one. “My partner and I wanted to have children and I had major anxiety over it because I didn’t want my kids to be picked on or bullied for having gay parents,” explained Barton about the uncertainty that she and her civil union wife Darlene faced before having kids. “I never did anything about it (putting together the CD) until my old drummer, James Pesler, talked me into doing the project. He said, ‘What are you doing? Get off your ass and do it!’ It was the nudge that I needed. The children were my main inspiration.”

“Sticks and Stones” signals a move back to the music scene for Barton. As the proud and doting mom of two boys, Brandon, 12, and Bryan, 9, the former singer (who now works in the investment banking industry and resides in Clifton) “came out of retirement” after more than a decade to produce the collection of eight songs.

Despite her lengthy absence from the music scene, Barton’s credentials are impressive. Her last CD, “Pop and Circumstances”, spawned a number one hit song “Weekend” at college radio stations across America. In 2001, Barton released a 9/11 tribute song entitled, “Ordinary Day”. It was played at the World Trade Center during the second anniversary observance.

Barton stressed how important her bandmates were in making the CD a reality. They include Vincent Cinardo, formerly of Harrison, who Barton describes as “a very talented musician who plays everything”; Mark Radice, Barton’s “go-to guy who also plays everything – he toured with Aerosmith and wrote music for Sesame Street and Elmo,”; and Paul Ippolito, who played bass and lead guitar on a “couple of songs,” according to Barton.

The eight tracks on “Sticks and Stones” range from the light and bouncy rocker, “There for You” to the more subdued ballad, “Watch What You Say”. The aptly named title-track, Sticks and Stones, imparts a feeling of empowerment to any who have suffered the slings and arrows of others bent on bringing them down, while “We All Cry” demonstrates how quickly even the worst situation can turn around:

Sometimes life is hard

And it can tear you apart

You hold your little head in your hands

Because you don’t understand

But I can tell you a secret about this crazy thing called life

You may not want to believe it, but it changes overnight

My personal favorite – “Long Way to Go” – maps Barton’s personal search for acceptance in an oftencruel world. Much like her other inspirational tunes, the song somehow manages to remain uplifting. Given the weightiness of the subject matter, that’s no easy trick.

“Sticks and Stones” is a well-crafted rock & roll CD that not only sends out an uplifting message of hope, but is a genuine blast to listen to. “If I can help just one kid it would make it worthwhile,” says Barton about her hopes for the CD’s overall impact. “It all came from my heart and soul.”

Groups that endorse the new CD include:

Itgetsbetter.org

Collage.org

Thesuicidepreventionlifeline.org

“Sticks and Stones” can be purchased at the following locations:

ITunes, Amazon.com, and other online outlets.

Or send check or money order for $8.99 to: Magical Music Entertainment, 1360 Clifton Ave. #182 Clifton, N.J. 07012

‘Khris’ening ‘Royal’ty

Khris Royal and Dark Matter bring Gumbo of music to Donegal Saloon

 

Photos by Anthony J. Machcinski/ Khris Royal and Dark Matter entertain the crowd at Donegal Saloon on April 21

 

By Anthony J. Machcinski

The reputation of the music scene in New Orleans is great enough that thousands of people will take vacations to the Big Easy in order to witness some of the greatest performances of our generations. Those unable to make that pilgrimage lucked out when Donegal Saloon in Kearny hosted Khris Royal and Dark Matter on April 21.

The ever-talented Royal, who hails from the Crescent City, is a saxophone player who has become one of the up and coming musicians in this generation. With a passion to play since he was seven years old, Royal didn’t originally want to play the saxophone.

“I wanted to play trombone “The guy at the store said, ‘Your arms are too short (to play the trombone). So my mom suggested, “Well, if you’re not going to play the trombone, you should play the sax. Girls like the sax.”

Royal developed a love eventually had one of his early breakouts when going to see famous R&B and jazz singer Erykah Badu.

Khris Royal swings his sax, much to the delight of the crowd.

 

“I wanted to see Erykah Badu when she came to New Orleans when I was in high school, but I was too young to get into the show,” Royal explained. “Through an internship with school, we got to sit down and meet with her. After the show, I stuck around to talk to her and while they were having sound checks, she saw me and said, ‘Grab your horn and come play with us.’ That was easily one of the greatest moments of my life.”

However, the road to success wasn’t always easy for Royal.

“When I first started gigging with Dark Matter, it was really slow,” Royal explained. “A lot of nights, tips were so bad that I thought I’d have to get a real job, and I started thinking maybe the music was bad. But other members of the band told me to stick with it and it started to take off.”

Despite Royal’s initial thoughts, the music is far from bad. After attending the New Orleans Center for the Creative Arts, Royal refined his art at the Berklee College of Music in Boston. This experience in many creative arts schools allowed the young musician to not just fall into one particular style of music.

“One of my goals was to play as many different styles of music as correctly as possible,” explained Royal who described his style of play as a big gumbo. “I don’t want to be just funk or jazz. I want to be the guy you can call to do anything.”

Royal’s description of his style is dead on. With elements of funk, blues, jazz, and R&B, Royal’s musical gumbo provides the listener’s ears with the same satisfied feeling as a real gumbo provides the stomach.

Royal’s personal favorite song, “Big Booty Express,” showcases the full package. With a silky smooth background accented by Royal’s sax, the song resonates differently to different people who listen to it. Some listeners may be soothed by the background and soft jazz play while others may find themselves moving their head and their body to the beat.

It is this menagerie of feelings that makes this song one of Royal’s favorites.

“‘Big Booty Express’ gets everybody dancing while still dealing with some music on an intellectual level,” Royal explains. “It keeps it funky and keeps everyone dancing.”

The title track from the album “Dark Matter” also shows off Royal’s skill set. With a darker and heavier background, Royal and Dark Matter provide a performance that not only showcases Royal’s play, but also the play of the band as a whole.

‘Big Booty Express’ aside, Royal and Dark Matter provide many songs for listeners of all ages and genres to appreciate. After playing Donegal Saloon on April 21, Khris Royal and Dark Matter will return to New Orleans and play several shows around the Big Easy before gearing up for several nationwide tours this summer.

To listen to Khris Royal and Dark Matter, you can search them on Spotify, or to purchase t heir album, they can be found on iTunes or on www.Khris-Royal.com.

A tasteful tour of Bloomfield’s eateries at a ‘Taste of Bloomfield’

 

Photos by Jeff Bahr/ Rickell Hawkins of ‘The Sweets Boutique’ with her creations

 

By Jeff Bahr

I must disclose something before I begin. As a longtime Bloomfield resident, I have sampled relatively few of the township’s restaurants save for Hot Bagels Abroad – a much-celebrated bagel palace known for its fine water bagels and convivial atmosphere – plus assorted pizzerias around town. So, when I learned that Bloomfield was staging its sixth annual Taste of Bloomfield (TOB) event on Sunday, April 15, I strapped on my feedbag and set out to right this wrong. “Calories be damned!” I reasoned in a self-serving way. “I’m on a culinary mission to spotlight our township.”

As was the case in years past, Bloomfield’s 23-room Oakeside Mansion played host to the flavorsome event. This eye-catching holdover from the Victorian era, built in 1895, presented the perfect backdrop for the taste fest which registered more like a casual dinner party than a staged event.

Devised as an entertaining way to acquaint people with Bloomfield’s restaurants and several located in nearby communities, TOB drew hundreds of hungry patrons to its serving tables on this sunny and warm day. More than 20 restaurants and food concerns were represented for this year’s tastings, where the enticing aroma of Thai, Mexican, Jamaican, Italian and Greek cuisines (to name just a few) assailed the senses.

For $30 ($25 if tickets were purchased in advance), attendees could eat as much as they pleased, and eat they most certainly did. A casual inquiry into the number of restaurants being sampled revealed that most people tried at least 10 different outlets before folding their napkins and calling it a day. Others, even more gluttonous, told me that they wouldn’t rest until they’d sampled something from every vendor present. While I was doing too much munching to keep count, I’d guess that I hit somewhere between 10 and 12 displays myself; not too shabby for a TOB neophyte.

ShopRite caterers stand poised to feed the hungry

 

An accordion player made his way through the mansion, playing enjoyable tunes to improve the ambiance, but it was hardly necessary. The Oakeside has atmosphere in spades, so the taste-testers were sufficiently primed just walking in. Each room contained multiple vendors serving an array of dishes. This vast hodgepodge of food choices added to the fun, but it also presented a problem; people had to decide which food items were “must tries” and which fell into the “second string” category (those to be tried only if stomach space permitted). Choices, choices…

If folks couldn’t find exactly what they wanted to nibble inside the mansion, all they needed to do was walk into the rear yard where a large tent featuring an equally diverse contingent of food vendors was set up. Drinks were served here (for an additional fee), and the feeding frenzy occurring inside the big top was at least on par with that taking place in the mansion.

For the record, the dinner items that I sampled included:

jerk chicken, rice and peas at Taste it Again Jamaican Restaurant; mousaki, makarounes and spinach pie at Stamna Greek Taverna; eggplant parmesan, prosciutto and mushrooms at Calandra’s Restaurant; and indescribably delicious garlic mashed potatoes at Frungillo Caterers. Thanks, folks, you did Bloomfield proud!

Some unexpected food discoveries also occurred during the event. A notable find was the Brookdale Shop-Rite which knocked my low expectations straight out of the park with its mouth-watering meatballs in Italian sauce (“gravy” to Italian-Americans). After going back for thirds (hey, my fiancé hails from Avellino!), I asked the server if these scrumptious meatballs were available at Shop-Rite’s daily buffet. Alas, they are not. Anyone wishing to partake of these meaty masterpieces must hire Shop-Rite as their caterer; that’s something to keep in mind as the graduation season nears.

After stuffing myself to the gills, I did what any pot-bellied American male would do: I went hunting for sweets. Most of the dessert vendors were situated in perhaps the most fabulous room in the mansion – the eastern wing/sun porch. A notable exception was Anthony’s Cheesecake which, while buried deeper within the house, was well worth the trip.

I visited perennial favorite Applegate Farm ice cream for a scoop of their luscious vanilla; Cupa Cabana, for a cup of their full-bodied Columbian java; and, last but not least, The Sweets Boutique, a sinfully delicious and artfully-arranged enterprise that featured such tantalizing guilt-inducers as cupcakes, pudding/cake parfaits, brownies, cake shooters and push-up pops. Simply put, the sugary concoctions were a joy to behold and an even greater joy to eat. “I’ve always loved baking and I’m a candy connoisseur, so this (business) was a natural step,” said proud owner Rickell Hawkins of her artistic display.

She wasn’t kidding. Before the event ended, The Sweets Boutique was cleaned out of every single item on the table, including my favorite Oreo dessert cup which I had sampled earlier. It was a testament to the triumph of the sweets, and in a larger sense, to the event itself. I’ll be back next year but with a different strategy – to hit The Sweets Boutique first. As my absolute favorite taste of Bloomfield (to date), it’s only fitting.

‘Rivet’ -ing performances at W.H.A.T.

 

Photo by Joseph Ferriero/ The Queen (Francesca Stokes) listens as her son Sacha (Tim Firth) talks about his day

 

By Anthony J. Machcinski

The revival of an old West Hudson tradition continues as the West Hudson Arts & Theatre Company (W.H.A.T.) presents “The Frog Princess” on April 21 and 22 at Washington Middle School in Harrison.

In what has become the first children-oriented show in W.H.A.T.’s short history,

“The Frog Princess” features a story that both children and their parents can enjoy.

“I think it’s a show that will appeal to all ages,” explained director Joseph Ferriero. “For kids, it’s an interactive show where they will get to talk to the actors and participate. For adults, there’s modern humor to keep them entertained. It’s going to be a lively experience.”

Ferriero, who was born and raised in Kearny and has now settled in Bloomfield, has provided W.H.A.T. with a dedicated and experienced director whose theatre resumé includes 10 years working in the industry, including Broadway shows.

Ferriero’s path to theatre comes from a childhood hobby that eventually turned into a prospering career.

“I started it as a hobby and now it’s become what I do,” said the former school teacher. “I minored in acting in college and thought I would give it a shot. As I did more, the more I fell in love with theatre and just the thought of getting it together.”

For Ferriero, seeing the finished product and the journey it took to get there provides the ultimate feeling of pride.

“For me, it’s been a great thing to see live theatre become what it is,” Ferriero explained. “Working for six months or a year and seeing the finished product, you get a real sense of pride for what you have accomplished.”

Bringing his experience to W.H.A.T., Ferriero and the cast will perform “The Frog Princess,” an age-old tale derived from a Russian fairy tale that was recently made into a Disney film.

“I went through quite a few shows and I like this show not only because of its name, but because of the story behind it,” Ferriero said. “It’s a story about the idea that beauty isn’t on the outside, that people have inner beauty. It’s also very, very funny and I really liked that.”

Just like any good performance, the cast involved has to have great chemistry. If that holds true, Ferriero believes that he will be directing a great show.

“We have such a great cast,” Ferriero explained, saying that while auditions didn’t bring out a lot of actors, he was able to put a cast together that cares deeply about the production. “We see actors here that aren’t just actors. They worry about costumes and things like that. This cast just works so well together.”

The building of the cast has not only formed a working relationship for the performance, but has also given the cast members the ability to meet others within their community.

“Everyone lives in surrounding towns so you really get to network in the community,” Ferriero explained. “It’s really nice to see that. The cast is already talking about doing more shows for the theatre as well.”

“The Frog Princess” will be performed by the West Hudson Arts & Theatre Company on Saturday, April 21, at 1:30 and 4 p.m., and on Sunday, April 22, at 1:30 p.m., at the Washington Middle School, 1 N. 5th St., in Harrison.

Tickets and other information is available on the W.H.A.T. website at www.whatco.org or by calling (201)-467-8624.

The cast includes: Narrator, Bernadette Obendorff; Queen Natasha, Francesca Stokes; Prince Boris. Joe Ferriero; Princess Ursula, Paula Reyes; Prince Casimir, Scott Burzynski; Princess Vassilissa, Laura Byrne Cristiano; Prince Sashaa, Tim Firth; Princess Natalia, Julie Padinha; Lady in Waiting/Tutor, Pattie Marsh.

 

Commissioner hopes you mind your manners

Brian Haggerty (c), flanked by fans Rocco Mazza and Margaret Frontera at Lyndhurst Public Library

 

By Ron Leir

 LYNDHURST –

Are you one of those unfortunate souls who slurp their soup?

Do you “feel badly” when you’re unwell?

Are you comfortable plodding around in sneakers at a formal affair?

If you’ve answered “yes” to the above queries, then, dear reader, you are clearly in need of Brian C. Haggerty’s “Personal & Professional Life Skills For Success,” a prescriptive approach to functioning well in the world, no matter what your station in life.

It’s an “expansion and enhancement” of the Lyndhurst resident’s first book, “Mannerly Speaking: A Modern Framework for Social and Business Etiquette; Grammar and Public Speaking,” which was published last year.

So enlightening is his new text that the Belleville Board of Education recently engaged Haggerty, a member of the Lyndhurst Township Commission, to impart his insights to high school students one day a week for five weeks.

“I wrote it, more or less, as a textbook that could be adopted by schools,” Haggerty told a small audience invited last week to the Lyndhurst Public Library to learn more about the new book. “There’s a need and a calling for it.”

For the most part, the author drew rave reviews. Several people agreed that the social skills promoted by the book were missing from many of today’s citizenry – young and old, alike.

Evelyn Pezzolla, president of the Library Board, said: “I read the first book and Bryan does a wonderful job with it. We’re so proud.” She said that young people could benefit by a thorough grounding in both book’s contents.

As a former businesswoman, Pezzolla said, she discovered that, “It’s surprising what young people need to know and don’t (know).” When she was hiring receptionists, Pezzolla added, “it was surprising to see how many (job applicants) don’t know what to wear and are frightened to use the phone.”

Indeed, Haggerty’s new book touches on those issues and more, offering tips on “making the best personal presentation in each of three key areas in which we are assessed by others: the way we carry and conduct ourselves, the manner in which we speak and the way we dress.”

The book, he said, is intended as a “confidence builder” and a tool that will unlock doors for the otherwise uninitiated who haven’t learned these success skills, which are generally “not taught in schools and not promoted in popular culture.”

In a nutshell, Haggerty said, “it’s about being civil – creating an atmosphere where everybody feels comfortable … treating people the way you’d wish to be treated.”

On speaking well, “knowing what to say and how to say it” – as opposed to concentrating on speaking the “King’s English” – is essential for younger folks competing for a job or promotion, Haggerty said, “because employers, above all else, look for the ability to communicate.”

Common vocabulary usage pitfalls noted by Haggerty include the confusion between “I” (subject) and “me” (object); “irregardless” (wrong) versus “regardless” (correct); “I could care less” (meaningless) vs. “I couldn’t care less” (correct); and “lie” (recline or resting) vs. “lay” (put or place an object).

On conducting ourselves, people should pay attention to “being on time, being your word, being reliable,” according to Haggerty. Equally important, he said, are quick responses to dinner/party invitations and dining etiquette, such as how to properly engage in conversations at the table, understanding place settings and use of utensils, passing food at the table, not to mention bill paying and tipping.

On how to dress, Haggerty observed that “jeans, T-shirts and sneakers” seem to be the preferred mode for teens. What’s more, he added, “If I go to one more funeral where the altar boy is wearing sneakers under his robes, I’m going to scream.”

With that in mind, Haggerty is happy to outline the “classic dress codes,” aimed at “dressing for success,” whether it’s for a job interview or for a formal affair.

A tuxedo may be fine for some occasions, he said, “but I’m trying to bring back the white tie and tails as formal attire.” Some misguided folks are of a mind to appear in loud, colorful garb that only call attention to themselves, Haggerty said. Guests at a formal affair should dress the same, whether in white or black, he said, because “the purpose is to honor the event, not the individual.”

Civility says it all, Haggerty said. “It’s not about ourselves – it’s respect for each other in society. Each of us needs to embody civility to make a better world. Instead of yelling and screaming at each other, much better to hold back before you speak.”

No use blaming TV for broadcasting the frequent vitriol mouthed by critics or politicians of all stripes, Haggerty said. “We’re caught up in sensationalism today and the media is a reflection of what we the people want to see,” he said.

“That’s why I don’t write negative messages on email and, remember, given our technology, what you write is there forever, and, by the way, that’s why I use spell check,” Haggerty noted.

Also to be avoided like the plague, he said, is texting or taking a phone call during a conversation or at the dinner table. But here again, you can’t fault the instruments themselves for the lack of civility, he said. “Technology is an extension of who we are.”

And that’s why there must be a true commitment by people to engage in civil behavior, Haggerty said, because “you can’t legislate that. Nothing will change unless we, individually, change ourselves.”

“Personal & Professional Life Skills” (173 pages with illustrations) is available in softcover through amazon.com.

 

Book shows swamp’s transformation

Illustrations Courtesy of Thomas Yezerski

 

 

Illustrations from Yezerski’s children’s book, “Meadowlands: A Wetlands Survival Story”

 

By Anthony J. Machcinski 

For many adults, the transition of the Meadowlands from a landfill-laden mess to a beautiful stretch of land has been a lengthy process, one not many can fully understand to begin with.

With the help of Thomas Yezerski, children may soon be able to see this transition with their own two eyes.

“There have been some good books written for adults on this subject,” Yezerski, author and illustrator of “Meadowlands: A Wetlands Survival Story” said. “I thought there was a great story in it for kids and it’s a great way to teach kids about ecology and how people fit in.”

Yezerski, who has illustrated 14 books and authored four of those, fell in love with the Meadowlands while he was living in Rutherford.

“One of the first things I did was take a pontoon tour the week after the 9/11 tragedy,” Yezerski explained. “It was amazing because it was so quiet on the Hackensack River and the water was so still. You could still see smoke rising from the World Trade Center. I just kind of fell in love with this peaceful place.”

The story itself follows along with the history of the Meadows, from when the Lenni Lenape lived on the land, to Dutch farmers and eventually the creation and elimination of landfills. “Little by little, the meadows became a dumping ground,” Yezerski explained. “In the late ‘60s, New Jersey decided they wanted to clean it up because it was giving the state a bad rap.”

However, like any good story, the meadowlands has started to flourish again.

“When they started cleaning it up, the river was able to clean itself, allowing plants and insects to thrive again,” Yezerski said. “Eventually, fish and birds began to come back to the area and every year, more species begin to show back up there that haven’t been in that area in nearly 50 years.”

The story of the Meadowlands comes down to an even simpler story idea.

“It’s a story about rejuvenation, about a place that was kicked around and ignored,” Yezerski explained.

“Now, people from all over the world can look to our urban wetland and see that good stuff can happen.”

However, the story is not as simple as going from bad to good, as evidenced by the amount of time it took Yezerski to complete the book.

“It took me about 10 years to complete because there was so much to learn about it,” Yezerski said.

His largest challenge, however, came when he had to compress that information.

“When you’re making a picture book, its about 800 words at the most,” Yezerski said. “It’s hard to distill all that information down.”

Yezerski, a fabulous illustrator in his own right, will have his illustrations on display at the New Jersey Meadowlands Commission in the Meadowlands Environment Center.

In 2011, “Meadowlands” was named one of the best 11 children’s non-fiction books. The New York Times, in its original review of the book, said, “Yezerski not only can write a book on how to teach children about their environmental impact – he has. ‘Meadowlands’ is tremendously informative, fun to read, and gorgeous to look at.”

Copies of “Meadowlands” are available at the Meadowlands Environment Center’s Tideland Treasures Gift Shop, which is open from 10 a.m. to 3 p.m. Monday through Friday.

The Flyway Gallery hours are from 8 a.m. to 4 p.m. Monday through Friday and from 10 a.m. to 3 p.m. Saturday and Sunday. Directions are available on the NJMC website at www.njmeadowlands.gov or by calling (201)- 460-8300.

Penque Jr. rides to new adventure

 

 

Photo courtesy of Ronnie Penque/ Ronnie Penque will bring his legendary skills on the bass guitar to Donegal Saloon in Kearny on March 31.

 

 

By Anthony J. Machcinski

After noticing that his son had been faking it on the bass guitar, playing just one string and earning the moniker, “One String Ron,” Ron Penque Sr. gave his son a few lessons. One day, Penque Sr., an accomplished bass player for 20 years, saw his son Ron admiring his ‘57 Fender Precision Bass in the closet. Penque Sr. said to his son, who now had become passionate about his play, “Ron, this bass is yours to borrow until the day you stop playing.”

Thirty-seven years later, Ron Penque Jr., known as Ronnie, still has that bass. The bass currently resides in the office of one of the most influential bass players of all time.

“My two brothers and I were all musicians,” said Penque.“Music was always a love.”

Penque is a member of the recently revived New Riders of the Purple Sage, a jam band that featured some of the most influential musicians of all time, including the likes of Jerry Garcia and members of the Grateful Dead. Since 2005, Penque has been the bass guitarist for the New Riders, a band he originally grew up listening to.

“I was sitting eighth row center at the Capitol Theatre in Passaic,” Penque recalled. “My friend and I were sitting there with binoculars trying to get the chords from the New Riders so we could play them at home.”

Penque’s seven-year-tenure with the band has been marked by stability, retaining the same members during that time — a record its predecessor band couldn’t match. Since his involvement with the New Riders, he has been a part of three studio records and a DVD.

“Absolutely not,” Penque responded when asked if he ever envisioned himself with the New Riders when he was young. “It’s like a TV movie. I would dream I want to be in the coolest band on earth and it’s been unbelievable to wind up in that band and end up on a couple records with them.”

While with the New Riders of the Purple Sage, Penque has tried to branch out and perform his solo act, Ronnie Penque & Friends, who will visit Donegal Saloon in Kearny on March 31.

“I just felt like I needed to start recording these songs,” said Penque, who plans to play some of his solo works as well as some covers from his time with the Jerry Garcia Band. “‘Only Road Home’ (Penque’s most recent work) started as a glorified demo and it just kind of turned into a record.”

Penque’s solo debut was a successful one, as “Only Road Home” was the number one record on Jam Bands Radio in March of 2011 and was number two on the same list for January and February of the same year.

“It took me almost two years to get it produced and out to the public,” Penque explained. “I have many more and I’m thinking about getting back into the studio.” Penque’s songs off ”Only Road Home” are very similar to the style that Penque played with both New Riders of the Purple Sage and with the Jerry Garcia Band. Penque’s soft vocals help accent the relaxing feel that his playing produces. American Junkie, a tune off “Only Road Home,” showcases the natural flow that a jam band needs to have in order to be successful.

Regardless of what band he is playing in, Penque loves just one aspect of every show.

“Every musician likes big crowds at their shows because the energy is great,” Penque said.

Anyone with even the slightest ear for music will have no problem providing Penque with all the energy he needs.

Graced by the gods, locals invited to watch wily Pseudolus, anew

Photo courtesy of Matt Boryszewski/ William Ruff (l.) and John Pinto rehearse a scene from “A Funny Thing Happened on the Way to the Forum.”

 

By Anthony J. Machcinski

HARRISON –

Harrison High School will turn back the back the clocks a dozen years when the school’s Drama Club will present “A Funny Thing Happened on the Way to the Forum” at the end of the month.

“It’s a hysterical comedy on topics that everyone can relate to,” said producer Matthew Boryszewski.

The idea for reviving the performance came from Boryszewski, who acted in it during his junior year at Harrison High in 2000. He played Senex.

“I’ve tried to do a revival since I was (hired as a staffer),” said Boryszewski, who is now a social studies teacher for the high school.

And even though the play’s an old chesnut in the club archives, it continues to generate excitement among the cast.

“I think everyone is very happy with it,” Boryszewski said. “The students have been having a ball since (rehearsals) started in the beginning of the year.”

The play’s central character is Pseudolus, a slave living in the house of Senex who hopes to buy, win, or steal his freedom.

Harrison High’s Pseudolus will be played by veteran student thespian William Ruff. Ruff, a four-year member of the HHS drama club, is starring in his fourth performance. In past years, he has played Pippin in “Pippin,” Horton in “Seussical,” and Johnny Casino in “Grease.”

Photo courtesy Matt Boryszewski/ Cast and crew of Harrison High Drama Club’s upcoming production

 

“For this performance, I have to work harder and prepare and do whatever it takes to put on a great performance,” said Ruff, a recipient of the 2011 New Jersey Governor’s Award in Arts Education for Excellence in Acting.

Among the other actors involved in the performance is ninth-grader Heather Harris, who is playing Domina, the wife of Senex. “I was very excited to learn that I was being put up to the level that the upperclassmen were at,” Harris said. “It’s been such an honor to work with these people like (Ruff) who have been here for years.”

Boryszewski hopes that Ruff, Harris, and the rest of the cast will be able to learn from this experience.

“I just want them to have a deeper appreciation for musical theatre and to grow as individuals and as actors,” Boryszewski explained. “This is an excellent experience for a musical comedy.”

For Ruff, Boryszewski’s advice has resonated strongly with the young actor.

“This is another chance to show my talent and do what I do best on stage,” said Ruff, who will attend Montclair State next year where he hopes to major in musical theater.

The lesson has rubbed off on the young Harris as well.

“(The other cast members have) helped develop me as an actor,” said Harris, who hopes to build on this year’s experience during the balance of her high school tenure. “I’ve admired this program for such a long time.” The curtain will rise March 29 and 30 at 7 p.m. at the high school auditorium at 800 Hamilton St. Admission is $10 for adults and $5 for children and seniors.

Rounding out the rest of the players: Michael Cruz as Hysterium, Johnathan Pinto as Miles Gloriosus, Carlos Montufar as Hero, Kaina Almonte as Philia, David Pineda as Senex, Lucia Fernandes as Lycus, Wence Morales as Erronius, Natalie Camargo as Tintinabula, Vanessa Valeiro as Panacea, Alessandra Gomez and Letizia Gomes as Geminae Twins, Cecelia Rodriguez as Vibrata, Kayla Middleton as Gymnasia, DJ Droz as Tiberia, Kiara Bermudez as Statue and Eduardo Velarde as Statue. The Proteans will be played by Pola Farinas, Patty Jackowska,,Zenaida Miranda, Breann Mobus, Thayjin Suquitana, Ana Teixeira, Liliana Valeiro, Luis Velez, Daniela Villalobos, and Gennesie Zuniga. Luisa Coppola is directing; Leonardo C. DaSilva is musical director; Mary Pat Shields is technical director; and Colin Shields is set designer.

And the Oscar goes to….

W.H.A.T. sends ‘Love Letters’ to Kearny’s Arlington Players Club

Photos by Jeff Bahr/ Mary Costello and Jim Hague in “Love Letters.”

 

By Jeff Bahr

To love someone and to somehow lose that love is a sad circumstance nearly as common to the human existence as our very need to breathe. This divine heartache, as it has often been described by romantics, can attack without warning and it cares not whom it thrashes in the process. Left lying in the vast heap of love’s debris are members of every race, religion, creed, nationality, social stratum; the list goes on. The wrenching heartache that comes after Cupid’s arrow snaps knows no boundaries. And the residual effects of a love unrequited can last for a lifetime.

So, it stands to reason, it is that rare and lucky person who has managed to make it through life without being taken in by this beguiling force. For who really wants to be just another loser in the love sweepstakes; just another fallen warrior in love’s pathetic army? Would it be you, you, or you perhaps? What sort of masochist wishes to spend every waking day mourning a love that just couldn’t be?

It turns out the answer is a great many of us because reasoning has precious little to do with the pursuit of love. In fact this make-it-throughlife- unscathed theory, as reassuring as it may sound, holds about as much water as a kitchen strainer. Poet Alfred Lord Tennyson understood love’s contradictions at a level like no other. In his celebrated 1850 sonnet, In Memoriam, one now famous verse is as noted for its depth as it is for its lyrical beauty.

I hold it true, whate’er befall/I feel it when I sorrow most/ ‘Tis better to have loved and lost/Than never to have loved at all.

Here, Tennyson’s meaning is simple yet profound: Despite the indescribable pain and emptiness that gush forth like a geyser when a love held dear suddenly ceases to be, it is within the former condition that we have truly lived to the highest; that we have transcended, if only for a spell, the mundane, the ordinary, the mortal.

In “Love Letters”, a play written by A.R. Gurney and performed at the Arlington Players Club by members of the West Hudson Arts and Theater Company (W.H.A.T.), childhood friends Andrew Makepeace Ladd III and Melissa Gardner sample such fl eeting love. And lucky members of the audience get to watch their story unfold while nibbling on truffles and sipping on wine. W.H.A.T.’s not to like?

In the two-person play directed by Mark Morchel and produced by Gerald Ficeto, Ladd, played with aplomb by The Observer’s own sportswriter Jim Hague, is a wealthy young man with high ambitions and a sense of charitable purpose. Living happily under his father’s controlling thumb, he believes he can change the world if given half a chance. Gardner, played just as masterfully by Hague’s reallife partner Mary Costello (who functions as a Hudson County Superior Court Judge when not acting) isn’t nearly as rigid or uptight. A freespirited girl of even greater means, she has money to burn and a family life she’d just as soon forget. Brought together by their families as youngsters, Love Letters follows the two for a 50-year span as their love blossoms, wilts, retreats and blooms once again, with each step of the saga recorded in pen and mailed back and forth to each other in the form of – you guessed it.

A natural wit, Hague, as Ladd, is at his finest whenever a line calls for humor and precise timing. But he’s equally impressive when he works his way through the play’s more subtle passages. In the acting business this is commonly referred to as “range” and it’s something that Hague has in spades. Costello, as Melissa, provides the perfect counter balance to Ladd’s booming presence, particularly when he gets up on his high horse. It is then that her rapier-like wit cuts him to ribbons and brings him back to earth.

Producer/emcee Gerald Ficeto sets the stage for “Love Letters” at the Arlington Players Club.

 

As the play progresses it becomes obvious to the audience that these pen-pals love each other, even if it’s something that they themselves aren’t always aware of. When the stars align and they become one for the very first time, the audience is on board with their budding romance and cheering them on from the sidelines. Unrealistic expectations and the force of gravity, however, conspire to make this first physical “outing” a disaster. Luckily, there will be a second act.

The chemistry between Hague and Costello is undeniable and infectious. A good chunk of this must be attributed to the duo’s acting prowess, but the ease that comes from their real-world relationship probably factors in as well. It’s a best-of-bothworlds scenario that adds even more validity to the crisp dialogue.

When the play moves into its final moments and Hague’s voice begins to crack with sadness, only the strongest souls will be able to force the rising lump back down into their throats. In all honesty, it was a feat that this reviewer couldn’t quite manage. Love letters is a beautifully written play that’s brimming with wit, irony, happiness, sadness, and a few unanticipated plot twists. Hague and Costello are wonderfully entertaining actors who – working in tandem as a skilled team – pull spectators in. By show’s end one can almost hear a collective “if only” coming from audience members who, along with the star-crossed lovers are betting against the odds. As plays go, it doesn’t get much better than that.